‘The Tragedy of Macbeth’ Was Shot Entirely in Black and White by Cinematographer Bruno Delbonnel

“It is by no means clear if it is day or evening, or something like that,” Delbonnel defined. “And because the film began it is like we have been wanting up however, the truth is, we’re wanting down so Joel needed to play with this type of ambiguity.

“And instantly black-and-white was an ideal device, and the shifting gentle was serving to to go from evening to day, or day to nighttime, in a single shot and enjoying with that.”