Goya Awards: ‘The Good Boss,’ Javier Bardem

Shortlisted for the Academy Awards within the worldwide characteristic movie class, Fernando León de Aranoa’s “The Good Boss” capped a report 20 Spanish Academy Goya nominations by scoring finest image and actor for Javier Bardem at Saturday’s Goya prize ceremony. 

The prizes marked each Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a office dramedy skewering the abuse of energy practised by a seemingly benign manufacturing unit proprietor, “The Good Boss” additionally received finest director and authentic screenplay for León, in addition to finest rating and enhancing.

Blanca Portillo beat out “Parallel Moms’” Oscar-nominated Penélope Cruz, because of Portillo’s highly effective efficiency as Maixabel Lasa, the actual life widow of former Basque Nation governor Juan Mari Jauregui who agreed in 2011 to satisfy one among his ETA killers. Her forgiveness, and Portillo’s portrait, has touched a big nerve in Spain.

One spotlight of the Goya Awards was the newly created Worldwide Goya, picked up by Cate Blanchett and offered by Cruz and Pedro Almodóvar, whom she referred to as a “legendary couple.” She additionally paid tribute to Spanish cinema for having made films regardless of the years of pandemic. I really feel pleased with what we’ve achieved as a sector. We’ve to go on creating,” she mentioned.

In different highlights, Jonás Trueba received finest documentary for “Quien lo impide,” monitoring Spanish adolescents as they develop over time and already voted by a San Sebastian Spanish critics ballot as the very best movie in final 12 months’s competition competitors.

Chelo Loureiro’s “Valentina,” a 3D-2D animated musical, received finest animated characteristic.  

The 2022 Goya of Honor went to Spanish actor José Sacristan whose profession spans the final 50 years, from milestone titles made throughout a Spain in transition from dictatorship to democracy, resembling “Asignatura Pendiente” and “La Colmena,” to large modern-day Spanish collection “Velvet” and “Excessive Seas.”  

The 2022 Spanish Academy awards come after varied indicators of sturdy ness in Spanish filmmaking: 4 Oscar nominations (Bardem, Cruz, composer Alberto Iglesias, animated brief producer Alberto Mielgo); two Berlin competitors titles (“One Yr, One Evening,” “Alcarras,”); and resilient field workplace trawls in Spain of $4 million-$3 million for “The Good Boss,” “Maixabel” and “Parallel Moms.” 

The lineup of upcoming Spanish titles in 2022 recommend that constructing recognition is probably not a flash within the pan. 

2022 thirty sixth Goya Awards

And the winners are:

FILM

“The Good Boss”

DIRECTOR

Fernando León de Aranoa (“The Good Boss”)

NEW DIRECTOR

Clara Roquet (“Libertad”)

ACTRESS

Blanca Portillo (“Maixabel”)

ACTOR

Javier Bardem (“The Good Boss”)

SUPPORTING ACTRESS

Nora Navas (“Libertad”)

SUPPORTING ACTOR

Urko Olazabal (“Maixabel”)

ORIGINAL SCREENPLAY

Fernando León de Aranoa (“The Good Boss”)

ADAPTED SCREENPLAY

Daniel Monzón y Jorge Guerricaechevarría (“The Legal guidelines of the Border”)

CINEMATOGRAPHY

Kiko de la Rica (“Mediterráneo: The Regulation of the Sea”)

ORIGINAL MUSIC

Zeltia Montes (“The Good Boss”)

ORIGINAL SONG

“Te espera el mar,” (María José Llergo for “Mediterráneo: The Regulation of the Sea”)

NEW ACTOR

Chechu Salgado (“The Legal guidelines of the Border”)

NEW ACTRESS
María Cerezuela (“Maixabel”)

INTERNATIONAL GOYA AWARD

Cate Blanchett

ANIMATED FEATURE

“Valentina” (Chelo Loureiro)

IBERO-AMERICAN FILM

“La cordillera de los sueños,” (Patricio Guzmán, Chile)

EUROPEAN PICTURE

“One other Spherical,” (Thomas Vinterberg, Denmark)

DOCUMENTARY

“Who’s Stopping Us,” (Jonás Trueba)

HONORARY GOYA

José Sacristán

LIVE-ACTION SHORT FILM

Verónica Echegui (“Tótem loba”)

ANIMATED SHORT FILM

“The Monkey,” (Lorenzo Degl’Innocenti, Xosé Zapata)

DOCUMENTARY SHORT

“Mamá,” (Pablo de la Chica)

EDITING

Vanessa Marimbert (“The Good Boss”)

PRODUCTION DESIGN

Albert Espel, Kostas Sfakianakis (“Mediterráneo: The Regulation of the Sea”)

COSTUME DESIGN

Vinyet Escobar (“The Legal guidelines of the Border”)

ART DIRECTION

Balter Gallart (“The Legal guidelines of the Border”)

SOUND

Daniel Fontrodona, Oriol Tarragó, Marc Bech, Marc Orts (“Tres”)

MAKEUP AND HAIR DESIGN

Sarai Rodríguez, Benjamín Pérez, Nacho Díaz (“The Legal guidelines of the Border”)

SPECIAL EFFECTS

Pau Costa, Laura Pedro (“Method Down”)