To place it merely, Birkhead desires to maintain one of the best a part of Anna Nicole’s legacy intact for his or her daughter and defend Dannielynn as a lot as is humanly potential, not simply from a destiny resembling her mother’s, however from the pitfalls of the incorrect form of media publicity.
Smith’s popular culture legacy, in the meantime, has clearly been greater than that of a putting model-actress-reality-star who died too younger. Her story had so many stranger-than-fiction twists, it proved ripe for the retelling, be it by way of TV motion pictures like 2007’s The Anna Nicole Smith Story starring Willa Ford or 2013’s Anna Nicole on Lifetime; the 2011 opera Anna Nicole; or the 2012 documentary Hooked on Fame, that includes disturbing footage compiled through the making of Unlawful Aliens.
However for the higher a part of a decade there was an viewers that had no thought what to do with Smith when she was alive, that solely sat again and watched her decline, not understanding what it was precisely that they had been watching, and doubtless figuring that nothing really dangerous would occur in the long run. But Anna Nicole Smith’s story didn’t have a cheerful ending. As an alternative it stays a cautionary reminder that there’s all the time an actual particular person on the opposite facet of that lens.
“The factor about Anna was…it was virtually like a cut up persona,” Birkhead mentioned. “As a result of when the digicam was going, she was a complete completely different factor…that was extra, to me, an act than it was the actual particular person, who she was.”
(Initially printed on Tuesday, Nov. 28, 2017, at 5 a.m. PT.)
Supply: Eonline
