Opinion
Javier Bardem, ‘The Good Boss’ High Spain’s 2022 Goya Awards
Shortlisted for the Academy Awards within the worldwide characteristic movie class, Fernando León de Aranoa’s “The Good Boss” capped a document 20 Spanish Academy Goya nominations by scoring greatest image and actor for Javier Bardem at Saturday’s Goya prize ceremony.
The prizes marked each Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a office dramedy skewering the abuse of energy practised by a seemingly benign manufacturing unit proprietor, “The Good Boss” additionally received greatest director and authentic screenplay for León, in addition to greatest rating and enhancing.
Blanca Portillo beat out “Parallel Moms’” Oscar-nominated Penélope Cruz, because of Portillo’s highly effective efficiency as Maixabel Lasa, the actual life widow of former Basque Nation governor Juan Mari Jauregui who agreed in 2011 to satisfy one among his ETA killers. Her forgiveness, and Portillo’s portrait, has touched a big nerve in Spain.
One spotlight of the Goya Awards was the newly created Worldwide Goya, picked up by Cate Blanchett and introduced by Cruz and Pedro Almodóvar, whom she referred to as a “legendary couple.” She additionally paid tribute to Spanish cinema for having made motion pictures regardless of the years of pandemic. I really feel pleased with what we’ve achieved as a sector. We’ve got to go on creating,” she mentioned.
In different highlights, Jonás Trueba received greatest documentary for “Quien lo impide,” monitoring Spanish adolescents as they develop over time and already voted by a San Sebastian Spanish critics ballot as the very best movie in final yr’s competition competitors.
Chelo Loureiro’s “Valentina,” a 3D-2D animated musical, received greatest animated characteristic.
The 2022 Goya of Honor went to Spanish actor José Sacristan whose profession spans the final 50 years, from milestone titles made throughout a Spain in transition from dictatorship to democracy, reminiscent of “Asignatura Pendiente” and “La Colmena,” to huge modern-day Spanish sequence “Velvet” and “Excessive Seas.”
The 2022 Spanish Academy awards come after varied indicators of sturdy ness in Spanish filmmaking: 4 Oscar nominations (Bardem, Cruz, composer Alberto Iglesias, animated quick producer Alberto Mielgo); two Berlin competitors titles (“One Yr, One Evening,” “Alcarras,”); and resilient field workplace trawls in Spain of $4 million-$3 million for “The Good Boss,” “Maixabel” and “Parallel Moms.”
The lineup of upcoming Spanish titles in 2022 counsel that constructing recognition is probably not a flash within the pan.
2022 thirty sixth Goya Awards
And the winners are:
FILM
“The Good Boss”
DIRECTOR
Fernando León de Aranoa (“The Good Boss”)
NEW DIRECTOR
Clara Roquet (“Libertad”)
ACTRESS
Blanca Portillo (“Maixabel”)
ACTOR
Javier Bardem (“The Good Boss”)
SUPPORTING ACTRESS
Nora Navas (“Libertad”)
SUPPORTING ACTOR
Urko Olazabal (“Maixabel”)
ORIGINAL SCREENPLAY
Fernando León de Aranoa (“The Good Boss”)
ADAPTED SCREENPLAY
Daniel Monzón y Jorge Guerricaechevarría (“The Legal guidelines of the Border”)
CINEMATOGRAPHY
Kiko de la Rica (“Mediterráneo: The Legislation of the Sea”)
ORIGINAL MUSIC
Zeltia Montes (“The Good Boss”)
ORIGINAL SONG
“Te espera el mar,” (María José Llergo for “Mediterráneo: The Legislation of the Sea”)
NEW ACTOR
Chechu Salgado (“The Legal guidelines of the Border”)
NEW ACTRESS
María Cerezuela (“Maixabel”)
INTERNATIONAL GOYA AWARD
Cate Blanchett
ANIMATED FEATURE
“Valentina” (Chelo Loureiro)
IBERO-AMERICAN FILM
“La cordillera de los sueños,” (Patricio Guzmán, Chile)
EUROPEAN PICTURE
“One other Spherical,” (Thomas Vinterberg, Denmark)
DOCUMENTARY
“Who’s Stopping Us,” (Jonás Trueba)
HONORARY GOYA
José Sacristán
LIVE-ACTION SHORT FILM
Verónica Echegui (“Tótem loba”)
ANIMATED SHORT FILM
“The Monkey,” (Lorenzo Degl’Innocenti, Xosé Zapata)
DOCUMENTARY SHORT
“Mamá,” (Pablo de la Chica)
EDITING
Vanessa Marimbert (“The Good Boss”)
PRODUCTION DESIGN
Albert Espel, Kostas Sfakianakis (“Mediterráneo: The Legislation of the Sea”)
COSTUME DESIGN
Vinyet Escobar (“The Legal guidelines of the Border”)
ART DIRECTION
Balter Gallart (“The Legal guidelines of the Border”)
SOUND
Daniel Fontrodona, Oriol Tarragó, Marc Bech, Marc Orts (“Tres”)
MAKEUP AND HAIR DESIGN
Sarai Rodríguez, Benjamín Pérez, Nacho Díaz (“The Legal guidelines of the Border”)
SPECIAL EFFECTS
Pau Costa, Laura Pedro (“Means Down”)